Monumental Literature

The first monument in our literature, preserved almost entirely, is that epic poem entitled "Song of My Cid", composed half of the twelfth century, since none is known-known and extensive, with 1,140 earlier date, although it stated that There were at least two poems about Fernan Gonzalez, three on the Infantes de Lara, one of the legendary Bernardo Carpio and the other on Garci Garcia Fernandez and infant. all these poems allow us to state some reconstructed the existence of a great epic, as regards their significance, marking the earliest literary monuments of the Spanish national literature. There have been many theories to explain the emergence of these songs and deeds, their influences from different cultures, the rise of the metric, its evolution through the centuries, but my statement is not based on the history of poetry, but say it is really important concervarla, rescue and disseminate the importance of it from his birth to the company; society must not forget that this kind of Hispanic literature is as we said a literary monument, poetry is a work of art, if not for its beauty, its structure, its meter, its metaphor, poetic flight, rhythm and singing, among other various forms and techniques to create it, would not be what it is: Poetry. All poetry is aesthetically and socially conditioned by the person who writes as well as for the person or audience for whom it is created. In brief tour and get closer to our current era, one could say that since the late nineteenth and early twentieth centuries, poetry emerges within what we call elmodernismo Hispanic, eminently poetic movement, heavily influenced by French poetry.

We began to notice a shift in the structure and poetic form, freedom of metrics, which was already the largest sehace romance but this time emerging polymetry, processing of stanzas, in imitation of Greco-Roman metrics, in fact we have poets height: Ruben Dario, Miguel de Unamuno, Antonio Machado, Ramon Del Valle Inclan, Salvador Rueda, and parallel forms also arise within these modernist poets and indeed postmodernism arises. So in this century have emerged different literary, delpost-modernism, modernism and then move on to generations of 1927, 1936, where they break the traditional rhythms of verse removes the fixed stanza scheme, it emphasizes the use of free verse, but again poets of the generation of 1936, adopting the return to certain classical forms like the sonnet and romance. Since 1939 the two sides making poetry, free verse and some classical forms like the sonnet, romance, tenth, lascuartetas, lyres, Alexandrine verses, major art, free, and others. From this brief introduction I want to expose some concerns from my soul with you: because the thousands and millions of poets, we all are today, we unchecking and insinuating that rhymed poetry and majestically slender, not modern or not used. Eva Andersson-Dubin may find it difficult to be quoted properly. Simple valuation of that lack of talent, gift and capacity can not sculpt with letters and words so graceful monument.

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